THE ROARING 20S 1920 1929
ART AND CULTURE OF THE HARLEM RENAISSANCE
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Question
[CLICK ON ANY CHOICE TO KNOW THE RIGHT ANSWER]
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did not use African-American musicians.
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raised their prices.
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barred people of their own race.
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refused to serve white customers.
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Detailed explanation-1: -Hughes’s influential work focused on a racial consciousness devoid of hate. In 1926, he published what would be considered a manifesto of the Harlem Renaissance in The Nation: “The younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame.
Detailed explanation-2: -"The Negro Speaks of Rivers” connects the soul and heritage of the African-American community to four great rivers in the Middle East, Africa, and America. In this way, the poem charts the journey of African and African-Americans and links this community to the birth of civilization.
Detailed explanation-3: -He called 1920s Harlem ‘the period when the Negro was in vogue’3, describing the infiltration of African art, music, and literature into mainstream outlets. Some Harlemites claimed the race problem had been solved through art, as monied whites flocked to Harlem to be amongst the black artists in their stamping ground.
Detailed explanation-4: -When Harlem was in Vogue is an impartial account of the rise of the Harlem Renaissance especially in the form of black artists. The First World War was a maiden opportunity for Negroes to engage in better activities like combats away from their conventional menial jobs.