THE ROARING 20S 1920 1929
ART AND CULTURE OF THE HARLEM RENAISSANCE
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Question
[CLICK ON ANY CHOICE TO KNOW THE RIGHT ANSWER]
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African Americans could not go there.
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It catered to African-American audiences.
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Its owners encouraged African-American performers.
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Only white musicians could perform there.
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Detailed explanation-1: -He called 1920s Harlem ‘the period when the Negro was in vogue’3, describing the infiltration of African art, music, and literature into mainstream outlets. Some Harlemites claimed the race problem had been solved through art, as monied whites flocked to Harlem to be amongst the black artists in their stamping ground.
Detailed explanation-2: -When Harlem was in Vogue is an impartial account of the rise of the Harlem Renaissance especially in the form of black artists. The First World War was a maiden opportunity for Negroes to engage in better activities like combats away from their conventional menial jobs.
Detailed explanation-3: -One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that “the Negro was in vogue", which was later paraphrased as “when Harlem was in vogue."
Detailed explanation-4: -For several years they packed the expensive Cotton Club on Lenox Avenue. But I was never there, because the Cotton Club was a Jim Crow club for gangsters and monied whites. They were not cordial to Negro patronage, unless you were a celebrity like Bojangles.